Are FLO Leading The Girl Band Renaissance? Live Review

It’s no secret that FLO are one of the UK’s biggest R&B exports right now, and their sold-out Brixton show proved exactly why. In a moment where nostalgia is thriving and audiences are craving the magic of the classic girl group, Jorja, Stella and Renée not only satisfy that hunger but are also setting the new standard for the renaissance.

As ‘Flo Lifers’ buzzed into the South London venue the energy was inevitably warm, setting up perfectly for 21 year old opener Sekou. Watching Sekou’s infectious energy oozing out as his warm baritone enveloped the room, it is clear to see why he’s been working with some of the biggest names in the industry – showcasing a depth far beyond his years. Performing some of his own standouts like ‘Better Man’ as well as his unreleased upcoming single ‘Never gunna give you up’ it is not at all a stretch to say that Sekou’s opening performance was nothing short of a treat – setting up the night perfectly for the girls. 

After spinning a few RnB classics to warm up the crowd – fans erupted into a roar as the trio appeared as silhouettes behind individual curtains lit by a scarlet glow a colour synonymous with this current era for them – ‘AAA’ opened the show, immediately polished, the trio needed no warming up period. As they greeted the audience, they assured us they had tweaked the setlist for their return to the UK. 

While it’s easy to focus on the tight synchronisation and sultry choreography, what truly sets FLO apart is their vocal power – flawless harmonies delivered with the kind of precision that makes you forget they’re dancing at all or at least reminds you that the group are vocalists first and foremost. 

As they made their way through the album, the trio rearranged a few songs, adorning them with new harmonies and off-the-cuff-riffs and often opting up for higher, more powerful belts. 

As previously mentioned the girls are polished but not robotic – the joy is real and it’s clear they’re having fun on stage, moving effortlessly between precision and playfulness in a way that reminds you why live performance is so special.

The production itself elevated the experience without overshadowing it. Clever lighting shifted from deep ruby washes to soft, intimate spotlights, framing each moment with intention, while the stage design was simple, it gave them room to dance, pause, and connect with fans. The overall effect was fluid and alive, allowing the focus to remain firmly on FLO’s presence and voices.

If there was one thing to wish for, it might have been a little more conversation between songs – but perhaps that says more about how accustomed we’ve become to looser, crowd-driven sets than it does about FLO’s style. Their focus was on delivering a tightly choreographed, vocally stunning performance, and at that, they succeeded. That said, the addition of a live band in the future could elevate the richness of their sound even further.

It’s tempting to still think of FLO as ‘rising stars,’ but their Brixton show made one thing clear: they’ve stepped fully into the spotlight and  we all can’t help but take notice. 

Photo credit is @passthelens_